Maßnahme

Hour info
3 pm
Sprache
French
Available
On
Summary

Pitcho Womba Konga presents an intimate ritual where rap, theatre and Congolese rumba meet. In his new creation, “Crise de nègre et autres noirceurs”, he blends slam, spoken word and rap with the sounds of rumba and urban music.

Drawing on his own journey, Pitcho raises questions about "négritude" (cfr. Aimé Césaire & Léopold Sédar Senghor), the complex ties between Africa and Europe, and the search for his roots. The common thread is identity.

The performance builds on his album Crise de Nègre (2010), adding new texts. On stage he is joined by a musician and by projected images that respond directly to his words. In doing so, he returns to the roots of urban culture in Harlem and the Bronx, where poets and storytellers chanted their truth to pass on their history.

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Place

Location

AfricaMuseum

Tarif

€ 10

Hour info
1 pm - 4 pm
Sprache
English
Available
On
Summary

An installation and performance exploring the traditional music, movements and oral narratives of the Maracha clan of the Lugbara people in the West Nile region of Uganda.

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For generations, the knowledge, beliefs, stories, rituals and musical practices of the Maracha people have been transmitted primarily through oral tradition. As younger generations experience increasing social and cultural change, opportunities to encounter and engage with this inherited knowledge are becoming less frequent.

Through video and audio recordings of the Prime Minister of the Lugbara Kaari, cultural leaders, musical ensembles and sites of spiritual significance to the clan, Authentic Voices Africa brings together a body of material that documents and interprets this cultural inheritance.

Part historical record and part contemporary artistic response, Sounds of Maracha considers how knowledge carried through generations can be documented, experienced and reinterpreted without losing its connection to the people, places and practices from which it originates. 

The installation creates a space in which ancestral voices and contemporary perspectives meet, exploring how this cultural knowledge might continue to resonate with future generations.

Place

Location

AfricaMuseum, Auditorium

Program

13:15 – 14:15 Part 1: Maracha Visual Installation

An immersive audio visual presentation exploring the history, landscape, songs, stories, dances and significant places of the Lugbara Maracha people. The one hour work unfolds across three walls of the auditorium, surrounding the audience with an evolving portrait of Maracha culture and heritage.

14:15 – 14:45 Part 2: Ritual

A 30 minute ritual that blurs the boundaries between installation and live performance, drawing on the narratives, traditions and spiritual heritage of the Lugbara people. It brings together the spiritual and fire traditions associated with the Maracha clan, where the woman who gave birth to the culture first lived, and the Terego clan, from where the first man migrated before crossing into the West Nile.

14:45 – 15:45 Part 3: A\V/A

A one hour live performance presenting an electronic interpretation of the musical traditions and sonic heritage of the Maracha clan and Lugbara people. Combining ancestral source material with contemporary technology, the work presents Africa not only through its history and heritage, but as a place of innovation, experimentation and of the future.

Tarif

Free event by registration

Subtitle
Tiamvu (Bridges)
Hour info
2 pm - 4 pm
Sprache
English
Available
On
Summary

Diving into sound: archival traces, memory and electroacoustic transformation.

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Tiamvu being a word from the Lari language, translated here as “Bridges” — offers a glimpse into an ongoing artistic research process emerging from Laryssa Kim’s residency at the AfricaMuseum.

Through immersive listening, short live demonstrations and reflections on her creative process, Laryssa invites the audience to discover how archival recordings from the museum and sounds she recorded from instruments in its collection can enter into dialogue with electroacoustic composition, voice and electronics.

Moving between original sound materials and their transformations, the session opens a space for listening and exchange. Along the way, she reflects on the distance between archival sounds and their original contexts, and on how questions of language, memory, transmission and her own position in relation to these precious materials become part of her creative process.

The research developed during the AfriMus residency will feed into Laryssa Kim’s next album and new live-electronic performance.

The presentation takes place in a four-channel listening environment and concludes with a short work-in-progress sonic performance. The working language of this event is English.

Place

Location

Meeting room 2, AfricaMuseum

Programma

The session is conceived as an open and informal exchange. Questions are welcome throughout, and some of the listening moments may be followed by an invitation to share impressions or responses.

— Introduction & short documentary

— From Mfinda to the residency

— From instrument to composition

— Working with archival recordings

— Distance, context and artistic position

— Where the research is heading

— Work-in-progress listening / live performance

— Audience exchange

Tarif

Free

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Available
On
Summary

Still the Rhythm is an installation by sculptor and spoken word artist Dieex Bitegets. The work enters into dialogue with AFROPEA’s permanent exhibition, deepening the reflection on layered identities, multiple perspectives, and individual stories.

Still the Rhythm brings together two bodies of work: A Cycle Game (2024–2025) and Expressies door het ondergrondse heen (2021-2023). Together, they trace a trajectory of introspection, encounter, and connection. Under the title Still the Rhythm, the works form a single continuous narrative in which rhythm stands for repetition, memory, transformation, and continuity.
 

A Cycle Game comprises three brightly coloured plaster sculptures created following a research visit to the AfricaMuseum in 2024. The encounter with the collections and archives left a profound mark: sorrow and mistrust mingle with discovery and hope.The works reflect on how the colonial past continues to resonate today, and question how this legacy can be rethought and transformed.

The second part, Expressies door het ondergrondse heen (Expressions through Meditations), consists of ten bronze sculptures emerging from intuition and inner movement. The titles of the works as well as the accompanying poetry collection appear in Dutch, English, Lingala, and Swahili. This multilingualism reflects the layered world in which the artist moves, and the continual shaping of his multiple identities.


AFROPEA is a space for dialogue and encounter within the AfricaMuseum’s permanent display, developed in close cooperation with members of the African diaspora in Belgium. It combines a permanent presentation on Afro descendant communities in Belgium with an annually changing installation by a maker, thinker, or artist. The permanent display tells the story of people of African origin from the sub-Saharan region and Afro descendant communities in Belgium since the sixteenth century - their presence, contributions, and role in society. The name of the gallery pays tribute to the album Adventures in Afropea 1 by the Belgian-Congolese group Zap Mama.

Place

Afropea space, AfricaMuseum

Tarif

Free with admission ticket

Activities

16.08.2026, 20.12.2026 & 18.04.2027 

Guided tour (Dutch/French) with the artist Dieex Bitegets. Starting point: the museum reception desk. Free upon presentation of a museum admission ticket.

25.10.2026 

Guided tour of the exhibition, followed by a workshop with the artist. You will learn the technique and receive tools to create a personal work using clay and acrylic resin. 25 euros.

Info

Dieex Bitegets is the third artist to take up the rotating platform, following Rachel Hansoul in 2023 and Sankara Mutoni in 2025.

Hour info
10 am - 5 pm
Available
On
Summary

On 19 May, the AfricaMuseum will open its brand-new CollectionsLAB, a viewing studio where you can watch our experts examine and take care for the collection up close.

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In this studio, you can see how the collections management team works on restoring and preserving objects from all over the world. Do you have any questions about restoration, conservation or how we protect our collections for the future? In the CollectionsLAB, you can ask our researchers and conservators directly. Come and have a look, discover, and be amazed by the scientific work behind the museum!

Place

Location

AfricaMuseum

As part of Belgian Museums Week. Cast your vote for the Museum Object of the Year: the Kanga and the Slit Drum (chosen by children).